这是一部典型的“黑色电影”风格惊悚佳作，叙事节奏紧凑，像一列失控的地铁，带着宿命般的压迫感。汤姆·迪西罗用一种冷峻又荒诞的黑色幽默，把那个“不可告人的秘密”拍得让人既心疼又好笑。罗伯特·德尼罗贡献了教科书级别的表演，把一个战战兢兢、贪婪又想重拾尊严的小人物刻画得入木三分。克里斯蒂安·贝尔贡献了影史级的破碎感表演，他的挣扎让人恨不起来。迈克尔·道格拉斯和丹尼斯·奎德的对手戏张力十足，看着两个曾并肩作战的好友如何在名利场中互相残杀，简直肾上腺素飙升。剧情高潮处的揭秘更是让人头皮发麻。
A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.相关搜索：
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